BB Up Close

In case I ever develop a case of the “I never win anythings” someone please remind me of this:

Apparently when I renewed my subscription for Boston Ballet’s 2014-15 season super-duper early I was entered in a contest. I don’t recall this fact. I was just so excited about the line-up and I adored my seats so much that I simply wanted to secure my spot in the next season’s action.

But I was.

And I won!

What did I win?

just the chance to go watch Boston Ballet’s Swan Lake rehearsals!

My non-ballet acquaintances were all, “Oh, that’s… nice?”

To which I replied, “Nice? Nice?! It’s fan-f&^$ing-tastic!”

Because I am a big ballet nerd.

Thankfully I’m well-acquainted with some other big ballet nerds and… as part of my prize I was allowed to bring one of them with me!

So I picked my time (there were four times during the weekend to choose from): Saturday afternoon.

Then agonized over what one wears to watch rehearsals: one does not want to look overdone or underdone and skirts are 100% out seeing as I could totally picture them giving us a nice scrap of marley in the corner from which to watch. The outfit I chose probably made me look a bit scattered, though I preferred to think of it as casual-chic-military-inspired-1950s-housewife.

Then agonized over whether we’d have enough time to get there (because, of course, we had our own class and rehearsals that ran past noon AND it was a nice warm day which Bostonians know cannot be wasted therefore pedestrians and motorists alike would be out in force AND the Head of the Charles regatta was going on in town, too).

But travel worked out perfectly: we were told to get there by 3:15 and I think we were at the door right on the dot. We met a couple staff members at the door and were told to wait there and to use the restroom if necessary NOW as we would not be able to wander in and out of the rehearsals.

So we waited politely until we were summoned to the elevators. There were two other women and a gentleman who were part of the “Winners’ Circle.” Somehow I was expecting a MUCH larger turn-out. They said they selected 100 winners! There were four times to pick from and I think they said that one of the Sunday times had a lot of people, but still… five people? Are all the other winners cray-cray? Or are they just super-popular with posher plans already in the works?

Whatever… that means larger scraps of marley for us.

Except, no. We weren’t actually marooned in a corner, peeping at the action like forlorn little mice. We were led up to the huge 4th floor studio and shown to a row of chairs that ran along the mirrors. Front and center! We were told to avoid certain areas for the directors, but other than that, we had our choice of seats right in the midst of the action.


Although… hello, my name is Rori and I am conspicuous! Felt a teensy bit awkward to be positioned so we were staring directly at the dancers as they were warming up and running through bits of choreography before the action started. I mean, who knows, maybe they’re used to random people just hanging out watching them. But I was just relieved that I had been allowed to bring a friend so we could chat with one another and not let our awe be TOO obvious.

And then… well, then, Mikko came in. I say that like he and I are best buds; I should probably refer to him as MISTER Nissinen. But if you are a regular BB fan, you will easily recognize BB’s Artistic Director, not only from his picture in the programs, but from the shows themselves. I think I’ve seen him wandering around the Opera House at every show I’ve gone to, kissing cheeks and looking appropriately mysterious in his black leather jacket. You begin to feel like you know the guy even though the feeling isn’t even remotely mutual.

I guess black leather jackets are a bit much for running rehearsals. It was a black polo, track pants, and dance sneakers on this day. And… dear reader, he came right up and talked to the five of us! I guess I should have expected that, but I could also see someone of his stature being all, “I’ve got important artistic work to do, I’m not going to spend time talking to the ‘fans’ the subscriptions team decided we should drag into the studio!” But no, he was completely gracious, thanking us for coming (thank us?! NO, thank YOU!!!) and telling us that we would be seeing a run-through of acts III & IV of Swan Lake with Ashley Ellis as Odile and Eris Nezha as Siegfried. He told us about Nezha being from La Scala to which I was all, “Eek, I know, he and his wife came to talk to us during the ASDP!!!” Okay, that’s what I said in my head. Externally I only managed to smile and nod mutely because I could think of nothing witty or endearing to say.

And then… rehearsals got underway. I must apologize for not having any pictures to share with you. We were told we could take photos as long as we didn’t use flash and, of course, didn’t take video, but I would have felt really, really weird doing so. So you’ll just have to take my word for it that it was incredible and amazing to be so freaking close to the dancers. I thought Eris Nezha was going to land a grand jété in my lap at one point.

So many amazing things to witness.

For one thing… it really isn’t that different from when we do studio run-throughs before a show. Okay, so the dancing is obviously at a totally different caliber, but aside from that, the dancers who aren’t on are standing around watching, some of them are chit-chatting, some of them are checking their phones or sewing pointe shoes, etc.

Another thing is… yeah, they make it look effortless, but when you’re that close you can tell how much work it is. They are breathing like they’re running a sprint and “glistening” like nobody’s business.

Also… they don’t always keep their game face on during rehearsals. I saw some lip-biting, a few deadpan faces. I don’t mean that as a criticism at all! It’s actually a relief to me. I’ve always had a hard time getting super-emotive in rehearsals… I do fine on stage, but, for a current example, when we’re running Snow in the studio, being a smiling, beatific snowflake is not my MO in that moment. In the midst of going full-throttle for 6 minutes adding in a smile for a non-existent audience seems like a total waste of energy. I save it for the stage at which point, of course, it’s 110%, “Oh my gosh, I’m so THRILLED to be sucking in fake snow, this is the best thing I’ve ever done!!!”

But… they ALL clap for one another after each piece! I wasn’t expecting that. Not just clapping, but cheering and whooping for the hard stuff. I’ve heard that this is a close company, and that seemed to prove it, at least in some way. They seemed super-supportive of each other, working together to figure things out, etc.

And… for those people who think dancers are all built the same… they’re not. Woah. Revelation. I’m not sure if any of you have been following Katie (Kathryn) Morgan’s YouTube channel, but she’s mentioned multiple times in there that there are ranges of normal in ballet. You might have thought she was being PC. But she’s right. Maybe back in the Balanchine heyday the string-bean waif was the hand-picked ideal, but I think that is changing and it certainly is the case with BB. Don’t get me wrong, they’re all super-slender and you’d be hard pressed to find any pudge in that room, but… there are some bean-poles builds (guys and girls alike) and there are some very athletic dancers who have cores and quads of steel (again, guys and girls alike). It was nice to see women that I could look at and say, yes, if I were to work out/dance as much as they do, that’s what I imagine I’d look like.

That goes for feet, too. I, of course, saw plenty of to-die-for feet. I also saw some that were remarkably adequate. In fact, one of my favorites, corps member Sarah Wroth… yeah, her feet don’t appear much bendier than mine. Obviously you can’t be completely flat-footed; you have to be able to have the foot and ankle flexibility to get over your boxes. But banana feet are not a requirement.

It was great to see the rehearsal process. Even though these are professionals it was clear that this is a work in progress. It’s a nearly-finished work, but there are always tweaks to make, entrance cues to learn, details of placement. Mikko talked to us a bit towards the end while the ballet mistress was working with the swan corps and was saying that the individuals learn their parts: it starts messy, but gets better. Then they all come together and it’s like the whole process starts again. Then, of course, once they get that level down they move to the stage with the full costumes, props, and scenery, and again there is a process where you run through and things are awry, but they work it all through until the curtain goes up. Lots of building up and breaking down in the process of getting it to a completed work (and even then, as anyone who performs knows, there are always notes and things to learn and work on, even as the audience thinks it’s seeing a “finished product”).

All in all a fabulous afternoon peeking behind the curtain. As an amateur dancer, it was amazing to see how many parallels do exist. Dance is dance, after all. But it was also incredible to see so much amazing talent up close in one place. I feel so privileged to have been able to indulge in that afternoon and am so grateful to Boston Ballet!

As we were walking out one of the staff members came looking for us and said they had gifts for us… as if what we just experienced hadn’t been sufficient! They gave us totes filled with a mug, pen, magnet, and the requisite publicity pieces.

BB Swag

We chatted with them a bit before we headed out. I guess this was the first time they’ve ever done something like this, opening the doors for patrons to see the rehearsal process, so they were curious what we thought. All five of us were equally agog.

As my friend and I exited we saw one of the dancers outside hop on his bike and ride away. Somehow it seemed absolutely ludicrous that one of these amazing dancers would just… get on his bike and go… home? I don’t know what we thought he should do. Grand jété to the moon? I guess it’s just surreal to realize that these dancers, as awesome as they are, are still just… people. At the end of the day it’s their job. And they think what any of us think when we leave work: “Crap, I drank all the milk this morning, need to stop and get more. Did I pay that bill that’s due tomorrow? Oh, and I need to call Suzy and see if she still wants to get together tomorrow.” It’s not, “Aw yeah, I’m a star!” And to most people, I guess they’re not. They look at them and see some guy on the T, some girl walking down the street.

But as ordinary as they all ultimately are, to some of us they represent something so incredibly special, and they are superstars in our eyes. I am eternally grateful that they allowed us into their world, even for just a few hours, to see what their “day-job” looks like, to dream and admire and appreciate and expand my ballet education just a bit more.

Thank you, Boston Ballet!


New Year, New You Giveaway!!!!

Welcome to 2013, all! Hope you had fabulous celebrations, took time to count the blessings that came your way in 2012, and are looking forward to the adventures the new year will bring.

New post likely to come regarding my own dance plans for the year, but before I get into the mememememe, how about something for youyouyouyouyou!?

I’ve got a couple prizes for people looking to make some positive changes in the new year!

First up is a copy of The Pointe Book by Janice Barringer and Sarah Schlesinger. I just discovered a 3rd edition of this book was published recently and the one I’m giving away (alas!) is the 2nd edition, but while some of the info about specific pointe shoe brands/models is a bit dated, this book is still chock-full of great info for anyone hoping to be en pointe in the new year or beyond — history of pointe, anatomy of a shoe, care and keeping of shoes, injury prevention, and more!

The Pointe Book

Then we’ve got two DVDs from The Bar Method — Beginner’s Workout and Dancer’s Body Advanced Workout. If you’re not familiar with barre-based workouts, or the Bar Method in particular, it’s a form of exercise that focuses on isometric movements, basically tiny movements that make a big difference in muscle structure. It’s based on the Lotte Berk method (Lotte Berk was a former dancer who came up with exercises to recover from an injury) and incorporates pilates and yoga. I found out about them probably 10 years ago and found that the DVDs really do make a huge and quick difference in the shape of your body. You do NOT need a barre to do the exercises; a tall chair or counter-top works just fine. The only other things you may need are things you likely have in the house already: a mat (a carpeted surface is sufficient), a strap (yoga strap is great, but bathrobe belts or towels work, too!), and light free-weights (or canned food!).

Bar Method DVDs

The DVDs can come as a set or individually (if you happen to only be interested in one of them!). Oh, and unlike my last giveaway, these discs claim to be compatible with all DVD players and don’t list a region, so I assume you can view them wherever you are in the world… fingers crossed.

To enter, please leave me a comment (be sure you’re logged in so that I can access your e-mail address from your profile!) with the following:

1. Which prize(s) are you interested in?
2. What was the highlight of 2012 in your dance world (can be a personal achievement or a performance you saw or something you read or… anything!)?
3. What are you hoping to achieve dancer-wise in 2013 (again, can be personal or not, whatever you want!)?

I’ll keep the giveaway open until the Sunday, January 13th, and will select the winners at that time.

Good luck to all and best wishes for a happy, healthy, well-balanced, flexible, joyful, and strong 2013!

Trick or treat giveaway winners!

Apologies for the delay in posting the giveaway winners. I feel like the last couple days have been busybusybusy.

I was excited to see that my giveaway brought some lurkers out of anonymity! I love learning more about my readers, so thanks for entering and letting me know you’re out there!

There were three entrants and I had three treats to give, so I decided that each of you gets a prize. Yippee!!!

For Allison, the Ballet Blast DVD.

For SettingTheBarre, the Classic 60-Minute Workout DVD.

And for Minttu, the Ballet Beautiful book.

I shall be in touch with each of you soon to get your address so I can get these in the mail to you! Congrats to the winners and to everyone, stay tuned for future giveaway opportunities!

Last chance for the trick or treat giveaway!

Did you enter yet?

Huh? Huh???

Only a few more hours, dear reader…

I’ll select winners tomorrow… Not sure what time.

Oh, and while we’re at it, there were no guesses as to where I was during Nut auditions? NONE!?

I know the picture’s not great, but I figured I’d at least get a couple nibbles. Do you need another hint? Answer to be posted on Friday if no one guesses before then.

I hope you had a glorious Halloween. And to all affected by the hurricane/nor’easter/full moon conglomeration otherwise known as “Frankenstorm” I do hope you are all safe! Luckily an 18-hour stint without power and some fallen siding on my condo was the worst of the damage here, which is a small annoyance comparatively.

Trick or Treat! Giveaway time!

[NOTE: This giveaway is now closed.]

Yes, it is coming up on time for going door-to-door and rounding up candy from your neighbors! Hope you’ve got your costume picked out!

Sadly I haven’t seen hide or hair of a trick-or-treater since I moved into this place 8 years ago (the fact that I live in a garden style condo with a locked front door may have something to do with this). On the plus side, this means I don’t bother to buy candy, and therefore am not tempted to eat it.

Scratch that, I’m totally tempted to eat candy All the Freakin’ Time!!! Congenital sweet tooth, what can I say?

But I’ve given up on buying it because I know I’ll just end up mowing down on it and… well, I’ve got costumes to fit into in a few short weeks!

But I do have a treat for a lucky reader (or two or three!). Yes, it’s giveaway time!!! Woohoo!!!

And I’ll admit straight upfront that this giveaway has a dual purpose of getting rid of a couple things that I don’t want. So you’ll be helping me to declutter my house. But hey the stuff is still brand new, so you really can’t go wrong.

The giveaway has three prizes:

The Ballet Beautiful book by Mary Helen Bowers
The Ballet Beautiful Classic 60-Minute Workout DVD
The Ballet Beautiful Blast Series DVD

If you’re unfamiliar with this series, Mary Helen Bowers is a former NYCB ballerina who trained Natalie Portman for Black Swan. So, theoretically, doing these DVDs and following the advice in the book with turn you into a creepy ballerina with feathers growing out of you… start now and be ready for next Halloween! Okay, all kidding aside, the DVDs are ballet-inspired (loosely) workouts and the book goes into the author’s story, details about the exercises, and some nutrition/meal-planning stuff. The links go to the Amazon page so you can read more about it there.

Now, dear reader, if you want all three, do not despair. You will have a chance to win all three. Keep in mind, though, the DVDs are Region One which pretty much means you need to live in the US or Canada to be able to watch them. So keep that in mind!

How do you register to win these fine prizes? Hm… well, I could just say, leave a comment and ask, but I want to do something more interesting so, I’m gonna make you do a little work.


Leave a comment on this post by 10/31/12 with the following:
1. [Housekeeping portion] Which prize(s) you are interested in… it’s okay, I’m not like the mean lady who only hands out one measly Tootsie Roll to each kid! You can pick more than one!
2. Favorite Halloween candy?
3. Least favorite?
4. Which ballet character would you most like to dress up as for Halloween?
5. A fun fact about yourself… silly, frivolous, dance-related, or not, Halloween-related, or not. 😉

Winners will be drawn randomly on November 1st! Enter! NOW!!!