Day 4 offered some welcome respite… mainly in the fact that I worked from home that day which allowed me to get in a couple more hours of sleep. Ah, sweet rest!
This was the first time I’d driven to BBS-Newton directly from home and for some reason my Waze app sent me on a epic odyssey through the ‘burbs surrounding Boston. Knowing what traffic (or traffuck as I’ve heard it referred to quite aptly!) is like at that hour, I don’t doubt that this was actually the fastest way. Thank the gods for technology, otherwise I’d likely still be sitting on the highway.
Enrichment class for the intermediate-advanced levels was modern (have you picked up on the pattern here? Pilates-modern-Pilates-modern…), again taught by Helena Froehlich. And, once again, I loved it. My body seems to adapt to the demands of modern far more naturally than it does ballet. At least this style of modern, whatever style that may be (I love modern, but am sadly ignorant about most of the details on various techniques). Most of the exercises were similar to those from the last class. She added a bunch to our across-the-floor combination, though, which was tricky to catch on to at first, but was really fun once we did (per me, anyway…). And we ended the class with I guess what you’d call a modern grand allegro, doing a run-run-grand jété in double attitude across the floor. Which was AWESOME! Why? Because I got that point where you feel like you might stay suspended in the air if only you don’t look down, just like a cartoon character who’s run off the edge of cliff, but doesn’t realize it yet.
Technique was in one of the smaller studios. I like the space of the grand studio, but it’s weirdly dim, so I welcomed the move to a brighter studio even if we were a bit cozy in there! Helena was teaching our class that day. No major revelations to report in class. Balance was a bit off at the barre. Turning fairy wasn’t drunk, but she may have been hungover — got some clean singles; anything attempted beyond that was flop city. But my muscles felt nice and stretchy. Did learn that BBS advocates that in a tendu from first to front or back the toe should “cross the line” so that at the end of the tendu the toe of the working foot is in line with the heel of the standing leg. Helena said it was kind of stylistic thing that can vary by school, but they feel that it’s a better preparation for working from fifth and encourages more proper alignment. Will have to remember that when I go back to real life.
After technique we were back to the grand studio with the advanced level for variations! Ooh, something new! Christopher Hird was leading this class. We were learning the pas de trois from the first act of Swan Lake. I’m sensing a theme here… BB is opening the 2014-15 season with a new version of Swan Lake, so it seems they’re trying to build some buzz through the ASDP. To their credit, it is working. I can’t wait to see the bits we’ve learned performed on stage by the professionals! There are two guys and about 40 ladies in the class, so the guys got quite the workout while the ladies did a lot of marking (we divided into two groups, with one group learning “Girl 1” and the other learning “Girl 2”), but I enjoyed learning more choreography.
Typically we are done after this class, but on this night the variations class was shortened by 15 minutes to allow for a 45 minute lecture by Laura Young, a current BBS faculty member who was an original member of Boston Ballet and danced with them as a principal dancer from the age of 18-42! It wasn’t a lecture in the sense that she stood up and rattled off a series of events, but Christopher Hird asked various questions about her experience as a dancer. The part I found most fascinating was that she had started dancing with BB’s predecessor, New England Civic Ballet, when she was only 13. It sounds like it was just a small company made up largely of students. She was telling us that the moms made costumes, her dad and brother were involved in set design. The families of the dancers were what got it up and running. It’s amazing that something went from such humble, homegrown beginnings to where it stands now. And amazing that she has seen it through all of its phases. There’s an article that goes into more of her details on the BB website here and one from the Boston Globe written this year in honor of the 50th anniversary if you’re interested in learning more about her and BB’s growth over the years.
The lecture meant that we got out a bit later than usual, but I was glad to see that so many people stayed to listen. Inspiration doesn’t just come from practice, but comes from shared experiences and realizing that, as minor a cog we may be, we are all part of sustaining and growing ballet!
One more day for week 1!