ASDP – Week 2 begins

After our weekend off it’s back to BBS-Newton for the second and final week of the adult summer dance program.

Monday:

Modern — Getting into the flow there. Knowing better what to expect with the warmup. We’ve had one combination that we add to a bit each class. It’s been a lot of choreography to take in, but I once we start to get the hang of the steps it is fun. Only problem is there are a lot of changes in direction and I get claustrophobic when people get too close to me. Sometimes when I hang out in the back of a classroom it’s not because I don’t know the steps, it’s because I have more control over my space and have less fear of someone running in the wrong direction towards me like a charging bull.

Technique — We had Carlos Molina, who had taught our rep class on Friday. He’s a soft-spoken, easy-going guy. But he gave a good class with nicely sequenced exercises that led naturally from one to the next. I felt generally strong and clean in this class, which was a good way to start the new week.

Repertory — This class was originally listed as “workshop on pirouettes & grand allegro/repertory” or something like that, but Christopher Anderson was all, “Um, we need to get through the rest of the choreography if we are going to be ready for Friday.” Friday the different levels show each other what we’ve learned during the rep classes. And I think there’s only one other opportunity to practice before then. So no workshop. Which was okay with me. Not that I don’t need all the help on pirouettes I can get, but it’s slightly more fun to learn rep. We finished up the part of the polonaise that we’re learning (it’s not the entire dance) and got it relatively clean. Only bad part had nothing to do with the class itself and everything to do with the fact that I started to get a silent migraine during it. Everything right in front of my eyes went blurry. I get these every so often and have learned to ignore it as best I can… it’s annoying as all hell, but usually there is enough of my field of vision that’s normal that I can continue to function and the symptom generally only lasts about 30 minutes or so before resolving, leaving me with the feeling of someone jabbing an ice pick behind one eye (which I realize sounds unpleasant, but compared to the full-blown migraines I used to get it’s really not that bad). I was mostly preoccupied with worrying that the blurriness wouldn’t go away by the time I needed to drive home. I’ve had them hit while I’m driving and end up having to pull over to wait it out. There’s no way I’m hurtling down the highway in a 3000-lb object without being able to see everything going on around me! It resolved before class was over though. Phew!

Tuesday:

Pilates — Pretty much what we’ve been doing with maybe a few elements of added difficulty. The teacher did ask towards the beginning whether the class was leaving us too wiped for the following technique class. I guess that came up during the beginner/elementary session. We all shook our heads. There are some exercises that are definitely difficult, but we don’t do anything to the point of exhaustion, so I’m not sure what their issue was. In fact, I really like having it before technique because I tend to feel much more centered afterwards!

Technique — We had a guest teacher, Andrew Kelley, the Associate Director at Jose Mateo Ballet Theatre. I looked him up and he danced with the Dutch National Ballet and has also worked in Hungary and Germany before coming State-side. He’s another relatively soft-spoken sort of guy, but his quiet nature belied the killer workout he gave us. Lots more stuff in rélevé than we typically do, which I actually like… I find that — as counterintuitive as it may seem — when my calves get fatigued I balance better. I think it just forces you to engage all the other muscles: core, etc. He also focused a lot on port de bras. Good stuff. It’s not dancing until you add some expression, but sometimes you need a little guidance as to what exactly you need to do to give your dancing an elegant expression rather than appearing to be a deranged traveling windmill and he was great at helping us decipher that. I also had a minor revelation about petit allegro. I am terrible about putting my heels down and pliéing in jumps. Yeah, I know, unsafe, whatevs… I prefer to think that I jump Balanchine-style. I get more height that way which I find far more entertaining. It’s nice to feel like my thighs are good for something in ballet! But when he had us do a basic 16-changements exercise he specifically told us to stay low to the ground. He’s the boss, so I did. Happened to be standing towards the front so I could actually see my feet in the mirror. And that low jumping really did give me a nice elastic feeling that appeared far more refined than my typical attempts to launch myself towards the rafters. Realized that maybe I don’t need to go ALL out on the first allegro combination and this low-to-the-ground business might be a better way to work into the bigger allegro steps. Hm. Really enjoyed this class.

Variations — Christopher Hird worked with us on the Swan Lake pas de trois we’d started last week. Which, unfortunately, I’d promptly purged from my mind shortly after learning it. Not that I didn’t enjoy it… Just that I was trying to remember the rep stuff and that crowded out whatever else I had learned. We went over the original bit a few times and then got a chance to dance it across the floor in actual pas de trois arrangement (again, the two lone guys got quite the workout partnering all the ladies, but they were good sports). Then we learned another phrase or two and got a chance to dance it through again in our trios. I got strangely nervous about going across the first time. What’s that about? But second time through I was actually able to enjoy it without over-thinking.

Coming up before all is said and done: Q&A with current BB dancers, PT lecture, and end-of-program display. I’ll be glad to get back to having full nights of sleep, but end of program so soon? :(

ASDP – Week 1 is done!

I survived the first half!

Day 5.

Enrichment class, we were back to Pilates again. The teacher added some new exercises or varied exercises to make them harder citing our “intermediate/advanced” status. Hey, I’m intermediate/advanced ballet, NOT Pilates! No, it was a good class, though. Things were feeling less foreign and as a result I (hopefully) am getting more out of it. One of the new exercises we tried was the “jack-knife” where you kind of go over into plow pose, but keeping the legs parallel to the floor, then try to press your legs up towards the ceiling, like you’re doing shoulder stand, without letting the core go all wobbly. I got a compliment on that one! The teacher asked if I’d done it before. I can’t recall if I’ve ever done it formally… I was embarrassed to admit that it’s something I’ve randomly done ever since I was a little kid simply because I find it weirdly entertaining. Should’ve joined the circus.

The intermediates stayed in the same studio for technique class which was being taught by yet another teacher, Gene Murray. I could tell from the moment he entered the studio that this man is a Character. Capital “C”. He’s one of the “guest” faculty for the program (he teaches for BBS at the Boston and Marblehead studios) and the plan was for Christopher Hird to introduce him. Well, he wasn’t there yet, so Mr. Murray introduced himself and went right into our warm-up exercise. This man will not stand on formality! Now… I’m trying to recall whether I’ve ever had a teacher who, legit, bangs on the floor with a cane to the music. I don’t think so. Well, now I have.

He was demanding, for sure. “Épaulement! You are at a level where you must use épaulement!” was a constant refrain throughout the class. But he would also pepper class with, “You are all lovely. Where have you been all my life?!” and other such endearments. I think a lot of my fellow students had no idea how to take this guy. Personally, I thought he was a hoot. Some of the people in my class are obviously on the younger side and seem to be used to a certain kind of teacher. Gene is not that kind of teacher. But thought he was delightful and managed to get a high degree of focus and clean technique while also keeping class fun.

There’s a great article about him here, written a couple years ago when he closed his own studio. Gives you a taste of what the guy is like. There’s a nice video along with it, too. Check it out.

After that was Repertoire, this time led by Carlos Molina. He’s a former principal dancer with Boston Ballet (also danced at ABT prior to that) and is married to current BB principal Erica Cornejo (whose brother is a principal dancer at ABT… lots of ballet going on in that family!). We continued to work on the polonaise from Swan Lake that we had been learning with Christopher Anderson. Didn’t learn any more choreography, but Carlos spent a lot of time working on cleaning what we had already learned. Due to the enormous size of the class, that meant there was a lot of down time. I mean, of course we marked things even when we weren’t the group of focus, but even so… lots of down time. But on the plus side, it kind of encouraged us to chit-chat a bit with our fellow dancers and actually built a little bit more camaraderie. So that was nice.

On the whole, week one was quite a trip. I’m so glad I decided to do this program and, as nice as it will be to have a few days free to rest and relax, I’m excited for next week… and a little sad knowing that it will be over after that!

Until then…

ASDP – Day 4!

Day 4 offered some welcome respite… mainly in the fact that I worked from home that day which allowed me to get in a couple more hours of sleep. Ah, sweet rest!

This was the first time I’d driven to BBS-Newton directly from home and for some reason my Waze app sent me on a epic odyssey through the ‘burbs surrounding Boston. Knowing what traffic (or traffuck as I’ve heard it referred to quite aptly!) is like at that hour, I don’t doubt that this was actually the fastest way. Thank the gods for technology, otherwise I’d likely still be sitting on the highway.

Enrichment class for the intermediate-advanced levels was modern (have you picked up on the pattern here? Pilates-modern-Pilates-modern…), again taught by Helena Froehlich. And, once again, I loved it. My body seems to adapt to the demands of modern far more naturally than it does ballet. At least this style of modern, whatever style that may be (I love modern, but am sadly ignorant about most of the details on various techniques). Most of the exercises were similar to those from the last class. She added a bunch to our across-the-floor combination, though, which was tricky to catch on to at first, but was really fun once we did (per me, anyway…). And we ended the class with I guess what you’d call a modern grand allegro, doing a run-run-grand jété in double attitude across the floor. Which was AWESOME! Why? Because I got that point where you feel like you might stay suspended in the air if only you don’t look down, just like a cartoon character who’s run off the edge of cliff, but doesn’t realize it yet.

Technique was in one of the smaller studios. I like the space of the grand studio, but it’s weirdly dim, so I welcomed the move to a brighter studio even if we were a bit cozy in there! Helena was teaching our class that day. No major revelations to report in class. Balance was a bit off at the barre. Turning fairy wasn’t drunk, but she may have been hungover — got some clean singles; anything attempted beyond that was flop city. But my muscles felt nice and stretchy. Did learn that BBS advocates that in a tendu from first to front or back the toe should “cross the line” so that at the end of the tendu the toe of the working foot is in line with the heel of the standing leg. Helena said it was kind of stylistic thing that can vary by school, but they feel that it’s a better preparation for working from fifth and encourages more proper alignment. Will have to remember that when I go back to real life.

After technique we were back to the grand studio with the advanced level for variations! Ooh, something new! Christopher Hird was leading this class. We were learning the pas de trois from the first act of Swan Lake. I’m sensing a theme here… BB is opening the 2014-15 season with a new version of Swan Lake, so it seems they’re trying to build some buzz through the ASDP. To their credit, it is working. I can’t wait to see the bits we’ve learned performed on stage by the professionals! There are two guys and about 40 ladies in the class, so the guys got quite the workout while the ladies did a lot of marking (we divided into two groups, with one group learning “Girl 1″ and the other learning “Girl 2″), but I enjoyed learning more choreography.

Typically we are done after this class, but on this night the variations class was shortened by 15 minutes to allow for a 45 minute lecture by Laura Young, a current BBS faculty member who was an original member of Boston Ballet and danced with them as a principal dancer from the age of 18-42! It wasn’t a lecture in the sense that she stood up and rattled off a series of events, but Christopher Hird asked various questions about her experience as a dancer. The part I found most fascinating was that she had started dancing with BB’s predecessor, New England Civic Ballet, when she was only 13. It sounds like it was just a small company made up largely of students. She was telling us that the moms made costumes, her dad and brother were involved in set design. The families of the dancers were what got it up and running. It’s amazing that something went from such humble, homegrown beginnings to where it stands now. And amazing that she has seen it through all of its phases. There’s an article that goes into more of her details on the BB website here and one from the Boston Globe written this year in honor of the 50th anniversary if you’re interested in learning more about her and BB’s growth over the years.

The lecture meant that we got out a bit later than usual, but I was glad to see that so many people stayed to listen. Inspiration doesn’t just come from practice, but comes from shared experiences and realizing that, as minor a cog we may be, we are all part of sustaining and growing ballet!

One more day for week 1!

ASDP – Day 3!

With day 3 came yet another commuting choice… driving to Riverside Station in Newton, which is the end of the D branch of the Green Line and has a lovely big parking lot where you can leave your car for $6 a day. Mileage-wise it’s about the same distance from home as work, the traffic along the route is a teensy bit better, and the parking is about $25 cheaper, so that’s pretty awesome. From there the T ride to work is maybe 20-25 minutes? Not bad at all… T-ed back to Riverside after work and drove maybe 10 minutes from there to BBS-Newton. Finally, I’ve found a happy commuting option! Woohoo! This will be good to have in mind if I ever want to have my car more easily available when I’m at work, too… you know, like if I want to take a class at BBS-Newton after ASDP is over!

So, after a normal night’s sleep and a happy commute and jitters finally wearing off you’d think that day 3 would be most excellent. And… it wasn’t bad. But I didn’t feel quite as good in the studio as I did the two days prior. Curious.

For enrichment class we were back to Pilates. Most of the exercises were similar to what we had done Monday and I understood better what we were supposed to be doing in most of the exercises. Some things I was able to accomplish a bit better… others still need work. But my core was definitely feeling it!

After that we were back to the grand studio for technique. We had our third teacher in three days, Kristin Beckwith. I found her combinations to be very dance-y: she gave us exercises that incorporated angling ourselves croisé or effacé to the barre, using lots of beautiful port de bras, and the steps were very flowy. Really enjoyed the barre. Then we moved into center and I’m not sure what happened here. My turning fairy apparently snuck out to the wrong kind of bar and came back soused, because I couldn’t seem to even execute a single pirouette cleanly. Which led me to that downward spiral freak-out that I can’t turn and even when we got to piqué turns across the floor which I usually LOVE I was totally disoriented, poorly placed, and sloppy. Grrrrr. Okay, center wasn’t ALL bad. We did a lovely adagio. And there was a fun allegro section that I didn’t get completely right, but I think she said we’ll do it again next week, which I’m looking forward to as it was pretty fun. And then… for the first time in ASDP we finally made it to grand allegro! It was fairly simple, sautés and chassés and a tour jété. Took a lot of energy, but felt good and was very proud of myself for landing all of my tour jétés on one foot with minimal bobbling!

I’ve found it interesting that they’re giving us such a variety of teachers. I wasn’t familiar with any of them prior to coming in. Both Christophers seem to have a more technical approach which, admittedly, I tend to respond best to. Their exercises were fairly simple, but with their corrections really helped me to focus on being cleaner and stronger. Kristen’s class was more like what I’m familiar with at my home studio. She didn’t spend as much time talking through the technical elements, but she kept the class flowing and her combinations allowed for more expression which I enjoy, too… at least when I’m able to get the steps mostly right! Not my best technique class, but I’ll get another go at her class next week. It can be challenging to go from teacher to teacher when each has a slightly different approach, but it’s nice to have a variety of perspectives, too!

After technique class, the advanced class came to join us in the grand studio once again and Christopher Anderson was back to teach us some more of the Swan Lake dance we started on Tuesday. My section’s piece wasn’t terribly challenging, but the other group’s certainly was. I could tell that this is the sort of dance that, from the audience looks like it must be super-fun to dance, but watching everyone learning the steps it’s clear that it is maddeningly difficult to execute. With all of the people in the room it takes a while to get through the choreography, but… CA told us he taught the same piece to some regular SDPers (you know, the hand-chosen kids) and said it was like teaching a bunch of bricks; we caught on much faster. I suppose there’s something to be said for age or experience or whatever it is we have!

Hard to believe the first week is more than half done! Nice to feel like it’s starting to be a bit more routine. Oh, and the exciting, non-dancing thing that happened was that… I spoke. Not that I was entirely mute the two days prior. But I don’t think I said anything beyond what was absolutely necessary. Yesterday a fellow dancer from my level said something in passing and I struck up a bit of a conversation with her. And then in rep a few of us chit-chatted… about the dance, mostly. But it was nice to start to feel like these people are shifting from a mob of strangers to… a mob of not-quite-strangers!

Two more evenings to go this week!

ASDP – Day 2!

Day one – Alarm goes off at the usual time and I hit snooze and jump back in bed, but then realize, ASDP starts today! Bound out of bed and rush to get ready for work.

Day two – Alarm goes off at the usual time and I stumble out of bed, fumble for the snooze button, collapse back in bed and repeat this process about 4 more times. Four hours of sleep is SO no enough.

What a difference a day makes!

I can count on one hand the number of times I’ve driven to work in the past two and a half years. And two of those were before I was even on the payroll. Driving into Boston is a royal PITA. The cost of the commuter bus and T pass is well worth it to be able to sleep, read, or daydream while someone else takes responsibility for getting my butt to work. Plus parking near work is at a premium, therefore comes at a premium price.

But after trying to get to and from BBS’s Newton studio via public transport I knew that wasn’t a viable option for the duration. I needed to find a better way, but my bleary-eyed self didn’t have time to figure out the ideal plan at 5am, so I figured I’d suck up the drive and the parking fees for one day and map it out when I was more caffeinated.

As the day wore on, the soreness from day one started to kick in. I blame the Pilates since most of the sore muscles were in my core. But surprisingly my arms were feeling it, too (we hadn’t really done much upper body stuff… so either I’m a weakling or I engaged new muscles without realizing it). My legs a bit, too. But walking four miles in flip-flops may have contributed to that. Don’t get me wrong, the soreness felt good, but was definitely there!

I left my office in the afternoon around 4:30, cried bitter tears at the parking kiosk while I paid dearly to remove my vehicle, and got on the road to Newton. I was in the BBS-Newton parking lot a little after 5, cool, calm, and collected with plenty of time to change and figure out where I needed to be.

Day 2 was already off to a better start and I hadn’t even danced yet!

Which isn’t to say all my jitters had vanished. Because today the intermediate-advanced enrichment class was modern. I have experience in modern, but there are differing techniques and I didn’t know how this class would be structured.

We were in the grand studio for modern, which is where the intermediates had ballet & workshop the day before. As you can guess from the name, it’s a spacious studio. We warmed up by just walking and running around, waking up our bodies. Then moved into more traditional exercises. Helena Froehlich, our teacher, approached the class differently than the modern class I take occasionally at the home studio, but it was very similar to what I experienced with one of my modern professors in college. I loved that professor’s style, always found it very freeing and grounding at the same time. All in all, a great class and I left feeling warmed up and somehow very centered, too.

For technique class we were back in the studio where we had Pilates the day before. Definitely nowhere near as spacious as the grand studio, but still perfectly adequate. Christopher Anderson, our workshop instructor from day one, was teaching that day. I found his suggestions the day before so I was excited to take full class from him. But what impressed me the most was when he went to demonstrate the first exercise on one of the portable barres, noticed that it wasn’t at a perfect 90 degree angle from the mirror and straightened it. My fellow dancers at my home studio find me amusing because I have this weird thing about the barre needing to be perfectly perpendicular to the mirror. Yes, he and I will get along just fine.

There were a few new faces and few missing from the day before. Apparently we ladies scared away the two guys… they both moved to different levels. Class was good. Lots of focus on engaging turnout muscles. I also learned that I need to lift my elbows more in first which I had never ever heard before, but it definitely helped me to feel my back more. As with the day before I felt very centered and balanced during most of class. I think having Pilates and/or modern before really helps. I am terrible about warming up for class in my real life, mostly because I just never have enough time, but if I DO have time… I might need to think about what I can incorporate from those classes into a warm-up. Hm.

The one bummer with this class is that we only got through petit allegro before time ran out. This was the second day we never got to grand allegro. I like grand allegro! :( But I appreciated that we got a ton of corrections and spent time working on details. I had a thought about halfway through class that I would have handled the advanced class fine (granted, I came to this conclusion without seeing what they’re doing, just assuming it’s a step beyond what we’re doing in intermediate). The combinations at my home studio tend to be far more complex than what we’re doing at BBS. But… what I was really wanting to get out of this experience was a good technique scrubbing. Sometimes we get so into fancy, complicated stuff in my regular classes that I feel my technique going sloppy and I know I resort to bad habits at times. I want a chance to remind my body about where it should be placed, focus on the small details, and hopefully come back to my regular classes stronger for having gone back to basics. Time will tell on that front, I suppose.

After technique class we were back to the grand studio with the advanced level to learn some repertory! We found out we’d be learning a dance from Mikko Nissinen’s production of Swan Lake. Which — by the by — they will be performing this fall! I know it’s supposed to be an updated version, so not sure if the choreography we learn will be in the ballet, but would be cool if it is! The music is a piece I’m familiar with… I think our director used it in our production of The Wild Swans last summer. It’s a courtier dance or, in some versions, a villager dance. Basically… we get down, we boogie… 17th century style.

Between the advanced and intermediate levels there are 40 people altogether. Huge! Christopher Anderson was teaching this class as well and joked that we had a corps the size of the Bolshoi going on. It worked out, though, since the dance we’re learning was choreographed for 20 people, so he split us into two “casts”. It felt like it took a really long time to learn maybe four phrases of music, but I suppose that’s inevitable when dealing with that many people. Apparently we got farther than he expected us to. It’s a lovely, dance-y piece. Looking forward to learning more.

Managed to get home at a much more reasonable time last night. Much less stressful all around! Onward to day 3!

ASDP – Day 1!

Still not knowing what to do about travel I decided to try to T it on day 1. Coworker suggested I leave work at a time I considered unnecessarily early to make sure I didn’t have to rush (see the pesky bus schedule referenced last post… per Google maps I’d either get to the studio over an hour ahead of time or would barely make it… tough choice; she voted for getting there an hour early). I got to my T stop just as a train was pulling in. So far, so good! Got off at the prescribed stop. Didn’t know where I was supposed to go, but followed a random guy which turned out to be the right way, and found the bus stop. Okay, this is going well! Then I pulled up the where’s-my-bus app and…. bus was nowhere near me.

Well… I thought maybe I’d explore some of Newton’s scenic countryside and walk up to the next bus stop. Get a little warm up in on my travels! Yeah! I figured the bus would be along before I got too far.

So I walked. And walked. Walked some more. Each time I came to a bus stop I checked to see where the bus was and it never seemed to get anywhere near where I was. After about 2.3 miles (literally) the bus caught up to me… at the stop where I would have disembarked! Rawr. Did I mention that it was like 80% humidity and I was wearing business attire and flip-flops for this trek? Yeah, okay, walking was my choice. It was my own lack of patience and inability to stand still that resulted in that long walk. But still. Grrrrrr.

I got to the nondescript building Google maps said was the studio. Um… are you sure, Google? Then I saw a door with the BBS name on it instructing people to enter at the side door. I peeked around the side to see… NO DOORS. But I saw a parking lot behind the building and a couple ladies were walking across it who looked like potential ASDP-ers so kept walking along the side until I found the main entry tucked behind. Walked in and was faced with four people behind the counter. None of whom seemed to notice my presence. I’m sure I looked a bit of a sight by that point, but seriously, hello! Finally one looked at me, asked my name, handed me a name tag and gave me directions to the locker room and the studio I needed to go to.

Relieved that I had made it there with a few minutes to spare, I quickly changed into tights/leo (a gross task when already sweaty), pulled on a tee shirt, pinned on my name tag and grabbed some slippers, a skirt, and some jazz pants (wasn’t sure what the plan was, so wanted to make sure all bases were covered).

First up was the “enrichment” session. This was an add-on to the main program and takes place in the hour before the regular session. I wanted to get all I could out of the experience, plus I would’ve just spent that hour killing time after work otherwise, so it was worth the extra fee. They said that the enrichment would feature classes in modern and Pilates, but said nothing about which was when.

There was a crowd of students outside our assigned studio on the floor, so I sat near them and waited. A teacher came out of the studio and said, “Oh, I was wondering where the students were! Come on in!” So we file in and see a few yoga mats on the floor. A few of us tried to figure out whether we had a choice between classes, or what the story was. Someone said that this session was a combination of the intermediate and advanced students and we were doing Pilates today while the beginners and elementary students did Modern next door. Oh. Okay. Now that that mystery has been solved comes the realization that none of us had mats because we didn’t know we needed mats. Thankfully BBS had some for us to use, so back out to the hallway we go to gather mats. We get ourselves arranged and the teacher introduces herself. Stott Pilates is her specialty. She asks if there’s anyone in the room who has never taken Pilates before. The lone guy raised his hand. She assures him he’ll be fine and off we go. I found the directions a bit confusing at times. It’s been quite some time since I took any sort of Pilates and I don’t think it was Stott method (I don’t know the differences among the methods). But I followed along as best I could and I was relieved to find out that I could still do everything for the most part. It actually felt really good to get into all those core muscles. Might have to seek out a Pilates class once this is over.

Once our hour was up we collected our mats and returned them to their cabinet and went to the studio next door where all the students were gathered for a welcome meeting. We sat down and Christopher Hird, BBS’s Head of Adult Programming, welcomed us and introduced some of the faculty we’d be working with. He went over the rough plan for the two weeks: technique class each day followed by a class where we would learn rep/variations — except a couple “workshop” days to work on things that adults have asked to focus on in the past, e.g. pirouettes. There would also be two special lectures, one being a talk about the history of BB and another with a PT. We’d also have a Q&A session with two BB principals. There would be some other faculty coming in to teach us at various points. And at the end of the two weeks we would get to do a little presentation (NOT a performance, they assured us). Oh, and there was an opportunity for a few students to go see a company class and tour the Boston studios next Thursday during the day. Limited seats, first come, first serve. I really really wanted to be able to do that, but it’s a day that I have a meeting at work that would probably conflict with the times. Sad face.

After that they chatted a bit about levels (if, after the first class, you felt you were in the wrong one or if the instructor felt that you were in the wrong one you’d be able to switch) and some other administrative stuff. Then they gave us the opportunity to share our stories if we wanted to. There was a wide range of students from adult beginners to those who have danced since they were toddlers. While only a few people spoke I looked around the room and saw a lot of different ages, body types, clothing choices. Not many guys, but there were a few. It was nice to feel like this really was a place where anyone could feel welcome.

With that we were sent off to our respective studios. The intermediates ended up staying in the same studio, so we didn’t have far to travel. And it is a deliciously large studio! I think I counted around 24 students in our class and there was room for plenty more if they appeared. Christopher Hird was our instructor for the day. Since the meeting had taken up a good chunk of time, barre ended up taking up most of our time with a brief adage at the end. I really liked the combinations. The combinations weren’t boring, but they also weren’t so absurdly complex that I couldn’t keep technique in mind. I think everyone got some sort of individual correction and after each side there were corrections.

My correction was simple, but kind of mind-blowing, too: move my hand forward on the barre and stand a smidge closer. It sounds silly, but it really changed my ability to feel square. Hmph. Lots of good group corrections to incorporate, too. Like how our working leg generally wants to bend a bit during arabesque penchée.

In general I felt pretty good during this class. Balances felt REALLY good. Could be a new environment, or a moon phase, or maybe that Pilates class beforehand.

After our class broke the advanced students came in with their teacher, Christopher Anderson, for the last hour. It was kind of a workshop, kind of just a continuation of class. We spent about half the time on pirouettes followed by allegro. Alas, I did not discover the secret to pirouettes, but we did do some good exercises that I will have to try to remember. I realized that I rarely think about my back in pirouettes… that might help me to stay square. And I rarely bother to spot. Which isn’t such a huge deal when doing singles. But makes it difficult to do more than that! Then we moved on to jumping. I love jumping. I learned that exercises should always progress “two feet to one feet.” Hahaha. Two footed jumps should always be practiced before moving to one footed jumps. And you should always do a medium allegro (I feel like there’s a more appropriate word than “medium,” but can’t think of what it is) in between petit and grand. Doesn’t help if you’re in a class where the teacher doesn’t choose to follow that, but I’ll file that knowledge away in case I ever teach again. My major embarrassment in this section came during an across the floor where I starting thinking about some detail of the combination halfway through a pas de chat and totally blanked on what I was supposed to be doing and ended up doing what I can only refer to as a “pas de blah.” The teacher came up to me to tell me how to do a pas de chat and I was like… yeah… I know… I, uh… my brain… uh… yeah. Mortifying.

Ah well. Class over. Then to try to get home. My less-than-wise decision was to walk to the closest public transit that my T pass worked on which was a mile and a half away. After the walk, a bus ride, and two train rides and my commuter bus, it was well past midnight by the time I got home. Needless to say I decided that I will NOT be using public transport to get there ever again. Traffic and parking costs be damned, I’m driving for the next two weeks!

A bit sore today, but excited to go back for evening #2! Very glad I finally decided to do this!

ASDP – The lead-up

The Boston Ballet School Adult Summer Dance Program (hereafter referred to as “BBS-ASDP” or just “ASDP” or, hell, just “it”) is here!

And not without a whoooooole lot of trepidation on my part. I didn’t know where I was going, what I should plan for, whether I’d be in over my head or bored.

Let’s go in reverse order there… Levels: on the website they list four different levels one could register for — Beginner, Elementary, Intermediate, and Advanced. Beginner and Elementary sounded too basic. And Advanced sounded like it was essentially pre-pro/former-pro which I am so not! Therefore Intermediate seemed to be my slot.

But a couple weeks after registering I went to a random adult open class in Cambridge with a friend of mine. She saw some people she knew from when she had done ASDP a few years ago and was asking them if they were doing it and this whole discussion about levels came up with one person saying that she had always enrolled in the Advanced level, but since the description this year sounded like it wouldn’t be appropriate (see the “pre-pro/former-pro” thing above) she e-mailed the school to ask whether she should still enroll in that section and they said, sure, it would be appropriate for a student who had taken ballet for a long time. I mentioned that I had signed up for Intermediate and the woman was all, “Oh, you’d totally be fine in Advanced.” I didn’t know what to do about that, if anything.

Then, as for what I should plan for… well, there’s a brief “what to expect when you’re ASDPing” on the website, but it’s a bit loosey-goosey, like, “Oh, you know, some ballet technique and rep, and sometimes some Pilates, and some modern, and some lectures, maybe, and some other stuff, TBD!” Ooookay. I mean, that’s fine, I don’t need a minute-by-minute breakdown of the entire two weeks. But I expected some sort of, “Yay, rah-rah, BBS-ASDP is starting soon, welcome, here’s what you need to know” e-mail. I got nothing beyond the confirmation they sent right after I signed up in May. I actually e-mailed them last week to find out whether I was out of compliance on some element of registration and all I got back was a “Nope, you’re all set!” Now, I’m not terribly type A, but… sometimes a girl needs a little hand-holding. Just a smidge. Do I need to get there early, bring anything special, prepare an interpretive dance on the plight of three-toed sloths in the rainforests? Anything?

And then getting where I was going… ugh. ASDP is being held at one of the suburban studios instead of the main studio in Boston proper, but it’s a suburb that’s considered part of the Metro Boston area, so silly me thought, “Hey, the T goes there, no prob!” Their website was all, “Take this trolley branch (conveniently the branch that goes past my work) to this stop, then take the X bus to Y stop, et voila!” Cool. But further investigation showed that the bus one needs to catch is a leprechaun… good luck catching one! It comes mayyyyybe every 45 minutes. Not even. And promptly stops running altogether around 7:30pm. Did I mention the program runs until 9pm each night? And the suggestions for public transit to get back into Boston proper (where I needed to go to pick up my commuter bus) involved commuter rails or expensive bus routes that my T pass does not cover. But driving into the city is a royal PITA. What to do, what to dooooooo?!?!?!

Do you see why I was a teensy bit anxious about this?

But, hey, once you get past the first day most the uncertainty goes away and I can just enjoy. Sooo… on to ASDP!

(To avoid tl;dr syndrome, I’m saving the actual activities of day 1 for another post!)